“Moonchy & Tobias III” Reviewed at MPodia
“III is the title of the new album by the American multi-instrumentalist Todd Tobias and the Italian singer Pat Moonchy. It is already the third album in just under three years of this collaboration. Cinematic soundscapes They both have their own solo careers in...Chloe March “Starlings & Crows” Reviewed at Textura
However tempting it might be to cite artists such as Elizabeth Fraser and Tracey Thorn as reference points when speaking of March, Starlings & Crows—not for the first time—shows she’s staked out her own artistic place. No one sounds quite like her, either vocally or musically.
“Moonchy & Tobias III” Reviewed at Music Won’t Save You
In just over half an hour, the two musicians therefore offer new proof of alchemy which, with extreme naturalness, unites their expressive worlds, manifesting itself in a surreal gallery of sounds and visions with a dark charm.
“Moonchy & Tobias III” Reviewed at Subjectivisten
Musically you have references such as Mi And L’Au, The Caretaker, Cranes, Dead Can Dance and Portishead , although they never quite cover what this pair brings here. In conclusion, you can safely say that you are certainly not dealing with an average combo. What a great, versatile and mesmerizing album!
Chloe March “Starlings & Crows” Reviewed at Music Won’t Save You
The eleven tracks of “Starlings & Crows” are the result of an immediate and very sophisticated elaboration process, which derives from the comparison with places and personal memories, filtered by an approach of enchanted candor, faithfully reflected by soft synthetic stratifications, marked by occasional pulses and fragile watermarks of notes. The delicacy and apparent vulnerability that transpire from the work are paired with the clear awareness of Chloë March in her vivid dream-pop emissions, arising from an undoubtedly personal dimension but calmly aimed at universal emotional spaces.